My second read for German Lit Month is again a book which also qualifies for Novellas in November; and appropriately enough it was a very kind gift from the host of GLM, Lizzy from Lizzy’s Literary Life (Volume 2). If you saw my end of October round-up, you’ll know that we had a lovely meet up and book shop when I visited Edinburgh last month, and whilst in an Oxfam Bookshop, she stumbled across a copy of “A Whole Life” by Robert Seethaler (translated by Charlotte Collins), and decided I must read it. She did ask if I minded a novel where not a lot happened (or words to that effect) and I don’t. I’m pleased to report that her taste is impeccable and this was a wonderful and surprisingly powerful book.
At 149 pages, “A Whole Life” is a fairly quick read; and it tells of the life of Andreas Egger who lives in a mountainous valley. An orphan, he’s brought to live on the farm of a cruel uncle; his upbringing is harsh, perhaps in keeping with the landscape, and yet he is tough enough to survive it and branch out on his own. He carves out a living for himself, has a brief flash of happiness in his marriage to Marie, and is then faced with War; the Second World War to be precise. Initially rejected by the Nazi authorities when he tries to register, he is eventually called up, but his war is short and much of it is spent in a Russian prison camp. Somehow, Egger again survives, and eventually returns to the valley to rebuild his life and live out the rest of it. And that’s it – the book is his story.
Besides, many of the prisoners believed that the end of the war could only be temporary. Maybe Hitler really was kaput, they argued, but behind every crackpot another, far worse crackpot was waiting in the wings, and ultimately it was only a matter of time before the whole thing started all over again.
Yet to summarise it in these simple terms is to ignore the hidden depths of the book and the power of the narrative. Over its 149 pages, the life of Egger encompasses so much, and covers a period of huge change. Because of the primitive conditions of his early years, and the backward area he lives in, it’s something of a shock when modernity hits the valley and you witness Egger in situations which are suddenly very familiar. Cable cars, tourists and televisions somehow seem anachronistic at first, and the book is a salutary reminder of how much progress there was in the middle of the 20th century. Yet even with those changes, Egger seems a character who is part of his landscape; needing little more than a basic roof over his head, he’s resourceful enough to make a living wherever he can.
There are so many interesting elements to the book: the effect of humans on the natural world, with the building of the cable cars not only damaging the landscape but also contributing to tragedy; the touching and poignant relationship between Egger and Marie; the need for human beings to have contact with their fellows; and the horrors of war. For a short book it really does pack a punch, and I can see why it’s been so lauded.
Interestingly, I’ve seen mixed reviews of the book at times, and I did wonder if it would be one for me. But I approached it with an open mind and it totally absorbed me, and left me quite emotional at points. The prose is beautifully translated here, and there are some really lyrical passages. The story of Andreas Egger is one I’m so glad I read, and thanks to Lizzy for nudging me in its direction! š