The Quest for Christa T. by Christa Wolf
Alas, I haven’t managed to read as many books as I wished for German Reading Month, thanks to coming down with the dreaded lurgy (i.e. the worst head cold I’ve had in years followed by sinusitis and a chest infection). It goes without saying, also, that the book I ended up reading wasn’t the one I planned…. 🙂 But I *have* wanted to read Christa Wolf for a long time, and so this seemed the perfect time to pull “The Quest for Christa T.” out from my Virago shelves.
Wolf was an East German writer about whom Wikipedia says: “Christa Wolf (née Ihlenfeld; 18 March 1929, Landsberg an der Warthe – 1 December 2011, Berlin) was a German literary critic, novelist, and essayist. She was one of the best-known writers to emerge from the former East Germany. Wolf received the Heinrich Mann Prize in 1963, the Georg Büchner Prize in 1980, and the Schiller Memorial Prize in 1983, the Geschwister-Scholl-Preis in 1987, as well as other national and international awards. After the German reunification, Wolf received further awards: in 1999 she was awarded the Elisabeth Langgässer Prize and the Nelly Sachs Literature Prize, and Wolf became the first recipient of the Deutscher Bücherpreis (German Book Prize) in 2002 for her lifetime achievement. In 2010, Wolf was awarded the Großer Literaturpreis der Bayerischen Akademie der Schönen Künste.”
That’s an awful lot of awards; but Wolf was also the subject of controversy, for her left-wing views after German reunification, and also during the Cold War for her criticism of the GDR ruling regime. I’ve tried to start her books before, and struggled – maybe a case of the right book at the wrong time, because this time reading Christa Wolf was a joy.
On the surface, and from the blurb, the tale is a simple one: Christa T.’s friend tells the story of their friendship, her life and her death. They met in school at the tail-end of the Second World War, both ended up in the portion of Germany which ended up under Soviet control, met again, went to University, worked, married, had families, and then Christa died young. That in itself is movingly told, but is a complete simplification, because there is layer upon layer of meaning in “The Quest for Christa T.” and it’s wonderfully constructed.
Firstly, there is the way of telling. The narrator, Christa T.’s friend, is elliptical and elusive, much as is Christa herself. She tells the tale at her own pace, often slipping backwards and forwards in time; and there are encounters with other friends and colleagues which you’re never quite sure have actually taken place. She has access to her friend’s papers, handed over by her widower, Justus, and these reveal much about Christa as well as throwing up more questions. This leads the narrator to constantly question what is reality and what is the real Christa, so much so that by the end we seem to be slipping from reality to imagination without even noticing it.
The paths we really took are overlaid with paths we did not take. I can now hear words that we never spoke.
What is pertinent here is the era in which the girls grew up to become women. They experienced the end of the War, fleeing the oncoming Russian soldiers, and we never really find out how they survived. But they grow up in an increasingly totalitarian regime and reading between the lines, studying the sometimes a little obscure narrative, you realise that they have to be careful what they say or do as every action can be misinterpreted. And even the narrator has to be careful telling her tale here – the book was first published in 1968, behind the Iron Curtain and during the Cold War – and so her criticisms of the regime have to be carefully made.
For the new world that we were making and making unassailable – even if it meant building ourselves into the foundations of it – that world really did exist. It exists, and not only in our heads; and that period was for us the beginning of it. But whatever happened or will happen to that new world is and remains our affair. Among the alternatives offered there isn’t a single one that’s worth a nod in its direction…
Initially, the girls are committed and enthusiastic about the new way of life; even rejecting the values of the West on a rare visit to Justus’s cousin on the Other Side, despite the obvious differences in their material standards. And even late on in the book, when it has become obvious that the girls’ Utopian dreams have failed, they are uncomfortable with the concept of actually owning a house of their own – “all property is theft?” You could almost dig deeper and say that Christa T. herself represents the new regime and that it’s the failure of this world that causes her death – I wouldn’t be surprised if a writer as complex as Wolf intended that level of meaning.
Sometimes they travel far, sometimes ‘druben’ – over there. The trip there is unusual enough to make your heart beat faster: over there is where the opposite ideas for living are produced, where everything is the reverse – people, things, and thoughts; that’s the real reason why you feel uneasy when you turn the next corner, full of weird expectations, to find always only the same smiling traffic policeman. But one might just as easily catch oneself napping: this is a twofold country and, what’s more, everyone in it is twofold, one part possibility and the other its refutal. One gets rid of the feeling of confusion at times by doing something violent. She spits on the memorial to ‘the stolen territories in the East.’ Memory’s colour is greenish-gold, it mustn’t go black, mustn’t go dry: black is the colour of guilt. She spits on this black stone.
All the way through the book, as you look for the meanings, it is the things unsaid or implied that come across powerfully. The language is beautifully poetic and evocative, bringing alive vividly the lives of Christa T. and her friend, so that even if the narrator is unsure if she has really caught and portrayed her friend’s character, the reader can see them both quite clearly – and it is a tale of two people, not just the one named in the title.
The translator, Christopher Middleton, is a poet himself and his wonderful work here shines.
At night she has dreams. She glides into sleep as if descending in a cage to the sea floor, only the water becomes brighter, not darker, and finally bright as day, like liquid air. One gives a kick and is floating. It’s too beautiful to be sleep. She decides, while still asleep: I’m not sleeping. To float like this isn’t surprising if one has wanted it for so long.
The quest for Christa T. is in the end a quest for truth, full of phrases and sentences that pull you up with their brilliance. The narrator questions her memories, reminding us what fragile things they are, easily confused and falsified. Whilst trying to pin down the life of her friend, fix her for future generations to understand, in many ways she tells the story of the life of any woman living through those times. Wolf’s compelling book is a beautiful, lyrical exploration of existence which in many ways defies description; it would simply be better if you went and read it yourself! Christa Wolf was a remarkable and individual writer and I really can’t wait to explore more of her work.
heavenali
Nov 25, 2014 @ 07:49:36
Brilliant review Karen. Christi T sounds wonderful. It’s going on my wishlist. I was hoping to read at least one book for German lit month but so far have failed miserably. I have a week left I suppose but not sure I’ll manage.
kaggsysbookishramblings
Nov 25, 2014 @ 08:57:59
It was a really great read Ali – definitely one of my favourite Viragos. I haven’t read as much as I wanted for German Lit month – our plans don’t always work, do they? 🙂
vicki (skiourophile / bibliolathas)
Nov 25, 2014 @ 08:22:00
I’ve her ‘Cassandra’ on my shelf but feel so intimidated by everything I’ve read about her books – I should just bite the bullet and have a go.
kaggsysbookishramblings
Nov 25, 2014 @ 08:58:50
I wouldn’t say she’s an easy read, but very rewarding. I was hesitant but I just threw myself into the book and it worked! Definitely have a go! 🙂
Caroline
Nov 26, 2014 @ 15:46:30
Don’t fear it. It’s much more accessible than Christa T and really great.
kaggsysbookishramblings
Nov 26, 2014 @ 16:19:50
I have this too, so nice to know this! 🙂
vicki (skiourophile / bibliolathas)
Nov 27, 2014 @ 04:43:25
Thank you for the encouragement – I shall have a go!
JacquiWine
Nov 25, 2014 @ 09:23:57
Great review as ever, Karen. I’ve also wanted to read Christa Wolf for a while, and this book sounds like a good one to start with. Also, your description of her prose style really appeals to me – the lyrical and evocative use of language you mention. One to look out for.
kaggsysbookishramblings
Nov 25, 2014 @ 09:42:42
Thanks Jacqui! I think this is a good place to begin with Wolf because it isn’t too long and therefore daunting but seems to have her hallmark prose – her writing is really wonderful!
lonesomereadereric
Nov 25, 2014 @ 12:08:52
Excellently detailed review with really enlightening quotes chosen! I love it when writers are talented enough to leave more meaning in between the lines than in the words they actually write. I’ve wanted to read Christa Wolf before; I think this novel is a good place to start.
kaggsysbookishramblings
Nov 25, 2014 @ 13:18:20
Thank you! Wolf certainly says more than she says, if you see what I mean! I would definitely say this is a good place to start with her, and I thought it was a remarkable novel.
Fleur in her World
Nov 25, 2014 @ 19:56:53
I’ve always been rather wary of Christa Wolf, but you make this sound wonderful. My copy will be coming off the Virago bookcase before too long.
kaggsysbookishramblings
Nov 25, 2014 @ 21:03:14
I was a little nervous, because she does seem difficult at first. But once you get used to reading between the lines, she’s really rather wonderful!
Jonathan
Nov 25, 2014 @ 20:32:28
I considered reading a book by Christa Wolf for GLM4 but no single book jumped out at me. This sounds like a good one to start with though.
kaggsysbookishramblings
Nov 25, 2014 @ 21:03:56
*Definitely* a good place to start, in my view – I think you get the flavour of her writing without being overwhelmed with the length of the book.
Caroline
Nov 26, 2014 @ 15:47:58
I’ve read a lot of her books but not this one. I started it but it was the wrong moment. I don’t think she’s a difficult writer in any of her other books but very controversial and at times politically dubious. Great review.
kaggsysbookishramblings
Nov 26, 2014 @ 16:20:18
Thank you! This was a very interesting read – I’m looking forward to exploring her work more!
Annabel (gaskella)
Nov 27, 2014 @ 10:35:56
I tried to read ‘Medea’, but couldn’t get into it at all, very dense and not really knowing the story of that particular myth beyond the tragic bit at the end didn’t help, although Margaret Atwood’s intro did. Gave up after a dozen pages, so I won’t rush to read another of hers.
kaggsysbookishramblings
Nov 27, 2014 @ 11:36:13
Her writing *is* dense, it’s true. I found with this one it was just a case of getting into the right mindset and finding my way into her style – then I was ok!
litlove
Nov 27, 2014 @ 13:24:53
I’m having a real Christa T moment as I could have sworn I left a comment on this post but now it looks like I dreamed it….! Wonderful review, Karen, of a brilliant (but far from easy) writer. It’s a shame her books are so hard to get hold of.
kaggsysbookishramblings
Nov 27, 2014 @ 14:27:03
I guess it’s possibly the spam filter got it!! And thank you – she isn’t easy, I agree, but rewarding and very, very good. I’ve been lucky to find most of her Viragos locally or in Leicester, and I’m very glad I did!
Kat
Dec 05, 2014 @ 18:39:03
I’m fond of Christa T and especially like Medea and Cassandra. (You won’t be surprised by that.) Perhaps it’s time for me to reread…
kaggsysbookishramblings
Dec 05, 2014 @ 19:04:09
Definitely! I’m hoping to explore more of Wolf’s work (goodness knows I have enough on my shelves) when there is some more substantial reading time available!
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