Argentinian author Jorge Luis Borges has featured here on the Ramblings many a time, as I absolutely love his writing. He’s best known for his short works which are unique; I don’t think anyone writes quite like him and I do actually find it hard to pin down why his work is so marvellous. Nevertheless, I’ve been gradually making my way through a beautiful volume of his “Collected Fictions” which I picked up in the old Foyles store in Charing Cross Road, back in March 2014 at a Virago LibraryThing Group meet-up. It contains all of his prose stories, gathered in their originally published groups, and so when Simon and I decided on 1970 for the next club I decided to see if there was anything by Borges for that year.
I was therefore delighted to find that Borges’ collection “Doctor Brodie’s Report” was published in 1970! However, there was a slight problem in that I had only reached “The Aleph” in my journey through the fictions, and that was from 1949. I had a look to see what else was in the book, as there was only a small section between 1949 and 1970, and discovered that there were two published collections, “The Maker” (1960) and “In Praise of Darkness” (1969). These are intriguing, as they were hybrid works containing both prose and poetry, and the short length is to do with fact that translator Andrew Hurley has only included the prose. I’m not actually sure how I feel about this, as without reading the entirety of those books, I can’t see how poetry and prose were meant to work together. Nevertheless, I had no other option, so I read both “Maker” and “Darkness” and was, as usual, bowled over by Borges’ writing.
“The Maker” consists of short pieces, and what has to be taken into consideration is that by the time of writing these works Borges had completely lost his sight. At this point, he dictated his works, and so his later writings are often poems or short prose pieces. However, they are still singular, bearing the hallmarks of all of his writing – beautiful language, strange and dreamlike settings, thought-provoking events. He looks back to the history of his country; mentions favourite books and authors (Cervantes and Quixote of course appear); and all of his fictions and parables linger in the mind like no other writer I know. Borges’ imagination was as fertile as ever and apparently he considered the story “Dreamtigers” as his most personal work.
Things, events, that occupy space yet come to an end when someone dies may make us stop in wonder—and yet one thing, or an infinite number of things, dies with every man’s or woman’s death, unless the universe itself has a memory, as theosophists have suggested. In the course of time there was one day that closed the last eyes that had looked on Christ; the Battle of Junin and the love of Helen died with the death of one man. What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonia Fernandez, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk? (From “The Witness)
As for “In Praise of Darkness”, this is even shorter, consisting of five pieces of prose only – which suggests that the bulk of the volume consists of poetry (and as I do have a collection of his verse, I shall have to check this out). Again, these are stunning and thought-provoking stories; in particular “The Ethnographer”, exploring the effect on one man of living within an indigenous community; and the final piece, “His End and His Beginning” is very powerful, hinting at an afterlife which may not be what was expected.
Borges is an author who, once I’ve started reading, I don’t want to stop, and it has taken me a lot of effort to pace myself through this wonderful book, reading one volume of his writings at a time. Some of these pieces read a little as if they were written by a man feeling that he was nearing the end of his life; yet Borges went on to produce many more works, and “Brodie’s Report” is by no means the last in this book. As always, I was hypnotised by his prose, and although I read these specifically so I could have “Brodie’s” ready for 1970, it’s going to take a lot of willpower to make me save it until October!!