You Should Come With Me Now by M. John Harrison

As the press blurb states, MJH is considered by many a figurehead of genre writing in the UK. His stories first began appearing in sci-fi collections in the 1960s, and he went on to produce some stunning novels featuring the fictional world of Viriconium, which are landmarks of speculative writing in my view. As well as many other sci-fi works (including the highly regarded “Kefahuchi Tract ” trilogy), he’s written mainstream novels and numerous quite brilliant short stories – the latter format being, of course, the one he began with. MJH aficionados tend to be a bit passionate and protective about his work; I think he’s one of the hidden jewels in the literary crown of this country, and so I was very, very excited by the prospect of a new collection of shorter works.

“You Should Come With Me Now”, published by Comma Press, contains a remarkable variety of works, ranging in length from half-page flash fiction fragments to longer stories, and all are frankly brilliant. In fact, the title and cover illustration are apt, as we are encouraged to take Harrison’s hand very trustingly and let him lead us into the labyrinth of his dazzling, unsettling and quite unique stories.

The shorter works are intriguing: tantalising fragments which tease you into wondering what would happen if they were developed into something longer, yet still satisfying in their own right. They’re often dry and laced with dark humour, reflecting the sheer fertility of MJH’s mind (and how can you not love an author who casually drops mention of Woolf. Mansfield and Richardson into a story?)

As for the longer pieces – well, where do I start? He’s a master of the twist and his stories constantly subvert your expectations. “In Autotelia” is a fine example; what begins as something which could be a relatively straightforward tale of a person on a train in an ordinary setting soon displays disturbing elements and ends by completely overturning any expectations you might have had. It’s the kind of storytelling MJH does so well and it’s amply on display here.

The realms created by MJH are often nebulous and undefined, and maybe that’s what I love about them. World-building can be too absolute, and since the real world is a fluid place, perhaps our fictional alternatives should be too. Certainly, the relationship between the places and people we’re reading about here and what we see outside our window is often unclear, which adds to the unsettling quality of the stories. Harrison’s work often negotiates the slippery intersection between reality and the fantastic in all its shapes and forms, an area notoriously difficult to navigate and which he handles with aplomb. Within all this, however, MJH is a wonderfully acute observer of human behaviour with all its foibles, quirks and eccentricities; whatever the setting, whether real world now or future world or world off to the side somewhere, humans are always humans…

M. John Harrison

The stories range far and wide over subjects as diverse as visiting aliens and the complexity of relationships in the modern age. MJH often looks at the darker side of things, but there is plenty of spiky wit too. Picking favourites would be unfair with such a rich and varied collection but I particularly noted: “Animals”, an unnerving take on the ghost story, featuring a woman encountering a tangible presence in a rented cottage; “The Good Detective”, perhaps the ultimate story of alienation from the modern world and your own psyche; “Psychoarcheology”, which takes the discovery of the remains of Richard III and riffs on it; “Imaginary Reviews” a series of capsule reviews of books which may or may not exist; and similarly “Babies from Sand”, a series of short numbered paragraphs peopled with shifting names, fluid characters and possibly spurious paintings. It’s not for nothing that the book is subtitled “Stories for Ghosts” as so many of the beings and their situations are undefined, fleeting and often not really there.

I was happily reading away and then suddenly, boom! About two-thirds of the way through the book we are clearly back in the vicinity of Viriconium with the story “Jack of Mercy’s”. Although this is not stated explicitly, any regular reader will recognise the names Crome, Ashlyme and Audsley King, which is enough of a giveaway. The tone of the writing in this story seemed to me to be particularly Viriconium-ish too; although that ever-shifting, ever-changing, ever-fluid place seems to have edged ever closer to our own world over the years, so much so that the lines are very blurred here. Needless to say, this was a particular treasure in the collection.

“You Should Come With Me Now” showcases Harrison at his best and each of these pieces, short or long, is an absolute gem, distinct and remarkable in its own right (which is something you can’t often say about a book of shorter works). The writing us just stunning; his powers have not ebbed over the years and if anything they’ve strengthened with maturity. I could go on and on about how brilliant these stories are; “You Should Come With Me Now” is a virtuoso performance by a master of his art, and a highlight of my reading year. What else do I need to say to convince you to make sure you read this book? 🙂

If I’ve managed to interest you at all in M. John Harrison, you can follow his blog here.

Review copy kindly provided by Comma Press, for which many, many thanks! 🙂

Advertisements