And we’re OFF!!! Yes, the #1930club kicks off today, for a week of reading, discovering and discussing books from that year. As I mentioned a couple of weeks back, I found that I had a surprising amount of books from 1930 already in the stacks, including a number I’ve not read. However, I was *really* tempted to start off with a re-read, and the great Agatha Christie was calling. There are a few choices from 1930, but I ended up picking “The Mysterious Mr. Quin” – and what a joy it turned out to be!

No, I don’t know why the cover has horrible cats’ eyes either…. 😦

My copy of “Mr. Quin” is from 1982, and I reckon I probably picked it up in that decade, as I was making a concerted effort to read and collect everything Christie had written. I probably haven’t revisited it in a very long time, but I recall having a great fondness for it – and I still do. The book collects together 12 short stories featuring the elusive title character and his side-kick, the very entertaining Mr. Satterthwaite. The latter is an ageing bachelor – described by his author as oddly elf-like, he is comfortably-off, a lover of art and fine living, and something of a snob. His friendships with the rich and titled give him great pleasure, and he has a keen interest in those around him, being one of life’s observers. Mr. Quin arrives into his life in the first story, “The Coming of Mr. Quin”, which is set on New Year’s Eve. Mr. Satterthwaite is a house-guest (he’s a constant presence at any gathering worth attending) and there are unspoken tensions amongst the family with whom he’s staying. He and Quin develop an instant bond, and between them discover what’s causing the discord, setting things right before tragedy takes place. This sets a kind of template for what follows, although each story is individual and cleverly constructed – and in fact the whole set-up of the relationship between the two men is quite brilliantly done.

“Oh yes – I answer for Mr. Quin.”

Before I dig a little deeper, it has to be said that these stories are incredibly entertaining, and I found the book quite unputdownable. I’ve always found Christie’s writing utterly compelling and I absolutely loved reading these tales again. However, this time round I think I appreciated her sheer artistic achievement more, and I was aware of a number of elements in the book which I particularly love in her writing. For a start, many of the stories feature Christie’s favourite trope of looking back and resolving a mystery from the past; as Quin regularly points out, you can often see things better with perspective, picking up on things you might have missed at the time. It’s one of the things I’m most fond of in her books.

“That is a curious idea of yours,” said Mr Satterthwaite slowly. “That one sees things better afterwards than at the time.”

“The longer the time has elapsed, the more things fall into proportion. One sees them in their true relationship to one another.”

The Quin/Satterthwaite stories also allowed Christie to combine her three kinds of writing: crime, romance and a touch of the supernatural. Certainly, some of the stories gave me a spooky kind of shiver down the spine! Quin and Satterthwaite often act as nemeses (another Christie trope) and are on the side of the lovers, the dead and those at the end of their tether. Christie’s strong sense of justice always came through in the books and it’s wonderful to watch her characters solve probles and avert catastrophe.

“I have a certain friend – his name is Mr Quin, and he can best be described in the terms of catalysis. His presence is a sign that things are going to happen, because he is there strange revelations come to light, discoveries are made. And yet – he himself takes no part in the proceedings.”

Interestingly, although Harley Quin is the title character of the book, it’s very much Mr. Satterthwaite who takes the central role; perhaps as the male equivalent of Miss Marple? Quin is described by Satterthwaite as a catalyst, helping the latter to take action – he acts as Quin’s ’emissary’. And Mr. Satterwaite himself is a fascinating creation, containing elements of both of Christie’s great detectives. Like Miss Marple, he is an observer of life, but that tendency has given him insight and he sees similarities everywhere. And like Hercule Poirot, his detection is mostly detection of the mind; he too uses his ‘little grey cells’ to puzzle out the solution to a problem, egged on by the elusive Mr. Quin. All three of these protagonists of Christie’s are single; spinster or bachelors; and interestingly both of her male characters have strong female characteristics, of which the novelist reminds the reader regularly. Satterthwaite himself has moments of anguish, even despair, as he thinks he’s had a wasted life; but Quin often reassures him that he has seen life and is making a difference.

“You have seen much of life,” said Mr. Quin gravely. “More than most people.”

“Life has passed me by,” said Mr. Satterthwaite bitterly.

“But in so doing has sharpened your vision. Where others are blind you can see.”

As the stories progress, Mr. Quin himself becomes more and more elusive, and a slightly darker character, until in the final tale “Harlequin’s Lane” he becomes almost sinister. I’m not going to discuss the individual stories, because I don’t want to give anything away. But suffice to say, each story contains Christie’s signature twists and sleight of hand, and I found myself marvelling at her incredibly fertile mind!

You might have seen Simon’s recent post about the Charles Osborne book “The Life and Crimes of Agatha Christie”; it’s a book I’ve had in my collection for decades (in fact, I think Mr. Kaggsy may have bought it for me in our early years together). Despite the Internet being handy, I always go back to Osborne when I read a Christie; his insights and thoughts are always spot on. “Mr. Quin” allowed Christie and her characters the room to philosophise a little; and as Osborne points out, her writing is superb in places, something she’s not always given credit for.

The characters initially only appeared in this one book together, although Mr. Satterthwaite also appears in “Dead Man’s Mirror” (part of the “Murder in the Mews” collection) and “Three Act Tragedy”. However, as my burrowing into the Osborne book revealed, there are actually another two uncollected stories featuring the detecting duo. This triggered a frantic rummage in my Christie shelves to see if I had them, and indeed I have; in a later anthology “Problem at Pollensa Bay”.

“The Love Detectives” is from 1926, so could slot into the original collection (but maybe nobody wanted to have 13 stories…); it involves Quin and Satterthwaite solving an obscure murder whilst saving a pair of lovers from the gallows. “The Harlequin Tea Set”, intriguingly, is later Christie, published in 1971. It’s a longer short story, and Christie makes reference to her dynamic duo having last met in the final story of the original collection. The writing is perhaps not so sharp, and the narrative maybe more fanciful than her early works; nevertheless, it’s a gripping and involving tale of Satterthwaite and Quin, and allows them to make a welcome final return visit.

So tempted to read these soon….

So my first read for the #1930Club was a wonderful one! I’ve said before that I could happily sit down and spend a month reading all of Dame Agatha’s books from start to finish, and every time I dip into one that feeling is reinforced. The main problem I have at the moment is that instead of reading other books from 1930, I’m desperately drawn to pick up at least the two Christies above… ;D


As you’ll see, there’s a page here on the Ramblings where I’ll put links to other posts, and my co-host Simon will be doing some linking too – make sure you check his blog out for more #1930Club loveliness! And do leave a comment with a link – we’re so looking forward to seeing what everyone else reads! 😀