Dispatches from the Revolution

1917: Stories and Poems from the Russian Revolution, edited by Boris Dralyuk

Sometimes a book comes along that you just know is going to be perfect for you; and “1917”, just published by Pushkin Press, is certainly the right one for me! It’s no secret here on the Ramblings that I have something of an interest in Russian literature and culture, and this reaches back a long way with me, since I first studied the Russian Revolution at the age of 12 or 13. This engendered my lifelong fascination and so a book celebrating the 100th anniversary of the country’s year of change is something I was quite desperate to read!

1917 was indeed a year of turmoil for Russia, with not one but two revolutions taking place: in February/March the royal family was overthrown and a provisional government put in place; and in October/November the more famous conflict occurred, with Lenin’s Bolsheviks seizing power. This was eventually followed by a bloody civil war which tore the country apart and continued until 1921, when the old guard of the White Army were finally defeated. During the relatively liberal decade that followed, there were many accounts which looked back on the uprisings, but those featured in this excellent book are all between 1917 and 1919 (when the tide really turned in the Civil War, in favour of the Red Army), so they’re from right in the eye of the storm.

Expertly collected (and often translated) by Boris Dralyuk (who also translated the volume of Babel’s “Odessa Stories” I reviewed recently), he’s keen to stress the importance of contemporary reactions to the conflict. The book features an amazing range of authors espousing a variety of viewpoints, and all witnessing the conflict at first hand. Some embraced the revolution, some were horrified and rejected it, but all responded with lyrical passion. The various works are grouped thematically with erudite and informative introductions providing context and the first half of the book concentrates on poetry.

Remember this – this morning, after that black night –
this sun, this polished brass.
Remember what you never dreamt would come to pass
but what had always burned within your heart!

(from Russian Revolution by Mikhail Kuzmin
Translated by Boris Dralyuk)

From well-known names like Tsvetaeva, Mandelstam, Pasternak, Esenin and Akhmatova to names new to me like Vladimir Kirillov, Alexey Kraysky and Georgian poet Titsian Tabidze, there’s a wonderful array of work on view here. The marvellous Mayakovsky, often thought of as the poet of the Revolution, earns a section to himself, and his complex reactions to the conflict are covered. But central to the poetry section, and crucial, are Alexander Blok’s two great works “The Twelve” and “The Scythians” – starkly powerful, the former is rendered brilliantly by Dralyuk and Robert Chandler. As someone who sometimes struggles to read collections of poetry, I found this one gripping and absorbing, with such a wonderful range of imagery and human emotion.

The second section is prose – short fictions, journalism and responses from such luminaries as Teffi, Zamyatin, Zoshchenko and the great Bulgakov. I was pleased to see an evocative piece by Kataev which was new to me, a powerful story called “The Drum”. Dralyuk draws on an astonishingly wide range of works, pulling in as many peoples and creeds affected as he can. For example, Dovid Bergelson wrote in Yiddish and his imaginative piece “Scenes from the Revolution” is memorable. Teffi, of course, is her usual pithy, outspoken, no-nonsense self and her pen portrait of Lenin is devastating; her satirical story “The Guillotine” chilling.

And what of my beloved Bulgakov? He closes the book with an early piece entitled “Future Prospects” – his first piece of writing, in fact – which looks ahead with desperate hope. Bulgakov was at the time a White Army supporter and with our benefit of hindsight his optimism seems misguided and tragic – or perhaps born of desperation as the world around him crumbled.

Boris Dralyuk dedicates this collection to the memory of his grandmother, and he does have a very personal connection to the Revolution through his grandparents which you can read more about here. I can’t praise enough the work he’s done compiling and translating this wonderful book; needless to say, “1917” not only lived up to my expectations, it exceeded them. I could simply sit here and churn out superlatives, but that’s not really constructive. This is a book that captures a moment in time when the world was changing, in rich, beautiful and sometimes visceral writing. Tellingly, a character in “The Soul’s Pendulum” by Alexander Grin comments on the perspective of history, and it is this missing perspective that gives the works their immediacy, capturing the chaos and uncertainty of a society in flux. It’s easy for us to look back now, a hundred years on, and see the events of that time as a structured thing, with a beginning and an end; living through them was an entirely different experience, but it’s one that can be glimpsed through the pages of this wonderful collection. “1917” was an entirely absorbing, moving and exceptional read, and it’s definitely going to be high on my list of books of the year.

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